Ebru ULAŞ SARIAYDIN, Hicran Hanım Halaç, Hasan Hüseyin Köse
{"title":"电视剧来源故意损害的定量评估:ayvansaray-balat","authors":"Ebru ULAŞ SARIAYDIN, Hicran Hanım Halaç, Hasan Hüseyin Köse","doi":"10.17365/tmd.2023.turkey.28.04","DOIUrl":null,"url":null,"abstract":"Aim: The question of how the directions in film and TV series editing will affect the shooting areas has been dealt with in the scale of graffiti in the study, and it is aimed to prove the reflection on the set area. In the study, which was prepared to create attention for the shootings on historical places, the Çukur Series published between 2017-2021 and the historical Balat and Ayvansaray streets and structures where the shootings were made were examined. Method: Within the boundaries of the scenario, 113 structures, including their registered structures, were examined. The analysis, which was designed to prove the amount of intervention caused by the series, was documented with the number of buildings with graffiti on their façades, their registration status, the increase in interventions, the vandalism valuation method designed within the scope of the study, and the percentage calculations of the area occupied by the interventions on the facades. Findings: With the series, the identity of the Pit, which dominates the historical identity in the set area, has been reached day by day. While the number of facades with graffiti was 15 in 2017, Pit content was found in 88% of the facades that increased to 61 in 2019, and in 82% of the facades that reached 72 in 2020. Conclusion: The need for control and limitation for the fictions in the media, especially those with registered shooting areas, and the necessity of editing analyzes with the sensitivity of the principles of heritage protection have emerged.","PeriodicalId":142407,"journal":{"name":"INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"QUANTITATIVE ASSESSMENT OF TELEVISION SERIES SOURCED INTENTIONAL DAMAGES: AYVANSARAY-BALAT\",\"authors\":\"Ebru ULAŞ SARIAYDIN, Hicran Hanım Halaç, Hasan Hüseyin Köse\",\"doi\":\"10.17365/tmd.2023.turkey.28.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Aim: The question of how the directions in film and TV series editing will affect the shooting areas has been dealt with in the scale of graffiti in the study, and it is aimed to prove the reflection on the set area. In the study, which was prepared to create attention for the shootings on historical places, the Çukur Series published between 2017-2021 and the historical Balat and Ayvansaray streets and structures where the shootings were made were examined. Method: Within the boundaries of the scenario, 113 structures, including their registered structures, were examined. The analysis, which was designed to prove the amount of intervention caused by the series, was documented with the number of buildings with graffiti on their façades, their registration status, the increase in interventions, the vandalism valuation method designed within the scope of the study, and the percentage calculations of the area occupied by the interventions on the facades. Findings: With the series, the identity of the Pit, which dominates the historical identity in the set area, has been reached day by day. While the number of facades with graffiti was 15 in 2017, Pit content was found in 88% of the facades that increased to 61 in 2019, and in 82% of the facades that reached 72 in 2020. Conclusion: The need for control and limitation for the fictions in the media, especially those with registered shooting areas, and the necessity of editing analyzes with the sensitivity of the principles of heritage protection have emerged.\",\"PeriodicalId\":142407,\"journal\":{\"name\":\"INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17365/tmd.2023.turkey.28.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17365/tmd.2023.turkey.28.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
QUANTITATIVE ASSESSMENT OF TELEVISION SERIES SOURCED INTENTIONAL DAMAGES: AYVANSARAY-BALAT
Aim: The question of how the directions in film and TV series editing will affect the shooting areas has been dealt with in the scale of graffiti in the study, and it is aimed to prove the reflection on the set area. In the study, which was prepared to create attention for the shootings on historical places, the Çukur Series published between 2017-2021 and the historical Balat and Ayvansaray streets and structures where the shootings were made were examined. Method: Within the boundaries of the scenario, 113 structures, including their registered structures, were examined. The analysis, which was designed to prove the amount of intervention caused by the series, was documented with the number of buildings with graffiti on their façades, their registration status, the increase in interventions, the vandalism valuation method designed within the scope of the study, and the percentage calculations of the area occupied by the interventions on the facades. Findings: With the series, the identity of the Pit, which dominates the historical identity in the set area, has been reached day by day. While the number of facades with graffiti was 15 in 2017, Pit content was found in 88% of the facades that increased to 61 in 2019, and in 82% of the facades that reached 72 in 2020. Conclusion: The need for control and limitation for the fictions in the media, especially those with registered shooting areas, and the necessity of editing analyzes with the sensitivity of the principles of heritage protection have emerged.