日语学习者基于声学特征的普通话声调范畴感知

Hong Zhu, K. Yoshimoto
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引用次数: 0

摘要

本研究基于普通话四种声调的声学特征,研究了日语学习者和汉语母语者难以区分的Tone1 (T1)和Tone4 (T4)、Tone2 (T2)和Tone3 (T3)之间的感知模式。在一个经典的分类感知实验中,我们比较了汉语听众和日语听众对普通话声调的感知表现。T1和T4实验采用端点的基频(fo)作为声学提示,T2和T3实验采用连续声刺激设计,从T2到T3的声音刺激在拐点(音调拐点)、&Dgr;fo(起始与拐点之间的音高差)或两个声学维度的时间上逐渐变化。结果表明,当终点音高作为声学参数时,汉语母语者和日语学习者在T1和T4之间都存在范畴感知。当拐点时间和&Dgr;fo同时作为声学参数时,高级学习者和初学者都表现出T2和T3的准范畴知觉,而拐点时间作为唯一参数时,只观察到范畴知觉倾向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Categorical Perception of Mandarin Tones Based on Acoustic Features by Japanese Learners
Based on acoustic features of four Mandarin tones, this study investigated the perceptual pattern between Tone1 (T1) and Tone4 (T4), Tone2 (T2) and Tone3 (T3) which are considered difficult for Japanese learners and Chinese native speakers to distinguish. We compared the performance of Mandarin and Japanese Listeners on the perception of Mandarin tones in a classical categorical perception experiment that employed identification and discrimination tasks. Experiments on T1 and T4 were designed using the fundamental frequency (fo) of endpoint as the acoustic cue, while experiments on T2 and T3 were designed using continual sound stimuli, which gradually changed from T2 to T3 varying in the timing of turning point (inflection point of the tone), &Dgr;fo (pitch difference between onset and turning point) or both acoustic dimensions. The results showed that when endpoint pitch was taken as the acoustic parameter, categorical perception was found between T1 and T4 by both Chinese native speakers and Japanese learners. And when the timing of turning point and &Dgr;fo were both taken as the acoustic parameters, both advanced Chinese learners and beginners demonstrated quasi-categorical perception of T2 and T3 whereas timing of turning point was used as a sole parameter, only a categorical perception tendency is observed.
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