poiesis Dilaporal:教师审美训练与表演艺术

Pedro Gottardi, Carla Carvalho
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摘要

本文讨论了写作、行为艺术与教师美育。它的目的是研究诗歌的过程,在这个过程中,研究者的身体也是诗歌的主题和支持,将它们与Marina Abramovic, Helio Oiticica和Artur Barrio的艺术家和作品联系起来。采用定性方法,方法路径包括艺术教育研究(DIAS);IRWIN, 2013)和a/r/地形矩阵,按书目调查、理论框架、诗歌路径和视觉性组织。Barthes(2018)指导了对调查的分析,其中工作室通过教师教育,以点状形式挖掘被吸收在论文中的美学。这些成果构成了《身体膨胀》系列的四件作品。结果表明,诗意化的视觉效果与美育教师的挖掘有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A poiésis Dilaporal: formação estética docente e performance art
The present paper discusses poiesis , performance art and teacher aesthetic education. It aims at investigating poetic processes in which the researcher’s body is also theme and support in poiesis , relating them to the artists and works of Marina Abramovic, Helio Oiticica and Artur Barrio. With a qualitative approach, the methodological path covered the Arts-Based Education Research (DIAS; IRWIN, 2013) and the a/r/tographic matrix, organized in bibliographic survey, theoretical framework, poetic path, and visualities. Barthes (2018) guided the analysis of the investigation, where the studium went through teacher education, digging aesthesias that were absorbed in the poiesis in the form of punctum . The results present four works that make up the Bodilation series. Results indicate that the poetized visualities are related to the a/r/tographer’s digging in the aesthetic teacher education.
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