{"title":"开启职业生涯","authors":"C. Rice","doi":"10.2307/j.ctv1kz4gcv.14","DOIUrl":null,"url":null,"abstract":"This chapter discusses Jane’s first foray into live performing in nightclubs along with radio and recording appearances as a singer with Kay Kyser. Jane’s renewed contract with Howard Hughes is also covered along with a renewed momentum with her film career and the filming of The Paleface with Bob Hope for Paramount Pictures, Montana Belle with George Brent for Fidelity Pictures, and Double Dynamite with Frank Sinatra and Groucho Marx for RKO.","PeriodicalId":112665,"journal":{"name":"Mean...Moody...Magnificent!","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Kick-starting a Career\",\"authors\":\"C. Rice\",\"doi\":\"10.2307/j.ctv1kz4gcv.14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter discusses Jane’s first foray into live performing in nightclubs along with radio and recording appearances as a singer with Kay Kyser. Jane’s renewed contract with Howard Hughes is also covered along with a renewed momentum with her film career and the filming of The Paleface with Bob Hope for Paramount Pictures, Montana Belle with George Brent for Fidelity Pictures, and Double Dynamite with Frank Sinatra and Groucho Marx for RKO.\",\"PeriodicalId\":112665,\"journal\":{\"name\":\"Mean...Moody...Magnificent!\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mean...Moody...Magnificent!\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1kz4gcv.14\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mean...Moody...Magnificent!","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1kz4gcv.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter discusses Jane’s first foray into live performing in nightclubs along with radio and recording appearances as a singer with Kay Kyser. Jane’s renewed contract with Howard Hughes is also covered along with a renewed momentum with her film career and the filming of The Paleface with Bob Hope for Paramount Pictures, Montana Belle with George Brent for Fidelity Pictures, and Double Dynamite with Frank Sinatra and Groucho Marx for RKO.