“Frame Me”:Out of Turn和Lorraine O 'Grady的异形先锋

Stephanie Sparling Williams
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引用次数: 0

摘要

在大卫·哈蒙斯和阿德里安·派珀的展览将艺术界有意义地整合在一起的8年前,在可可·弗斯科和Gómez-Peña备受争议的表演《两个未被发现的美洲印第安人》的10年前,美国艺术家洛林·奥格雷迪(Lorraine O’grady, 1934年出生于波士顿)以臭名昭著的“黑人中产阶级小姐”(Mlle Bourgeoise Noire)的身份,对纽约的艺术空间进行了一系列外来入侵。这个角色第一次出现是在1980年奥格雷迪的第一次公开演出中,在中城之上(JAM)。奥格雷迪穿着一件奢华的初入社交场合的礼服,戴着180双白手套。她一边用插着白菊花的九尾猫形鞭子隆重地抽打自己,一边对着以黑人为主的观众大喊:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Frame Me”: Speaking Out of Turn and Lorraine O’Grady’s Alien Avant-Garde
Eight years before the art world would become meaningfully integrated with the exhibits of David Hammons and Adrian Piper, and ten years before Coco Fusco and Gómez-Peña’s controversial performance Two Undiscovered Amerindians, American artist Lorraine O’Grady (born 1934 in Boston) staged a series of alien invasions on New York art spaces as the now notorious Mlle Bourgeoise Noire (Miss Black Middle-Class). The first time this persona appeared was at Just Above Midtown (JAM) during one of O’Grady’s first public performances in 1980. Dressed in an extravagant debutante-style gown made with one hundred and eighty pairs of white gloves, O’Grady shouted at her predominantly black audience as she ceremoniously whipped herself with a cat-o’-nine-tails spiked with white chrysanthemums:
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