沃尔特,格奥尔格和朵拉:本杰明兄弟注视下的童年

Rita Ribes Pereira
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引用次数: 0

摘要

下面的文章介绍了Walter, Georg和Dora Benjamin兄弟姐妹的故事,他们把童年理解为一个兴趣,训练,表演和理论生产的话题。沃尔特将童年视为一种批判文化的哲学视角,对儿童的行为和语言十分敏感;乔治是一名儿科医生、校医和副医生,他把儿童作为制定公共政策的卫生紧急情况;朵拉对从纺织业转移到家庭环境的工作关系所交叉的二项式妇女/儿童进行了强有力的社会学分析。这些只是本雅明兄弟姐妹与童年主题的多面关系的一些细微差别。他们出生于19世纪末和20世纪初,经历了德国政治和经济的动荡、第一次世界大战的艰辛、纳粹主义的兴起和巩固,由于他们的犹太血统和智力状况,纳粹主义迫使他们经历了流离失所、监禁、疾病和死亡。当沃尔特把他的作品存放在图书馆或寄给朋友时,他的作品中有很大一部分被保存了下来。与共产党关系更密切的乔治和朵拉没有取得同样的成功,他们的大部分作品都在纳粹的篝火中被毁了。这导致了对他们的历史和他们庞大的知识生产的沉默,这现在被认为是有远见的——这种沉默谴责了致力于抹去历史的例外政策。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
walter, georg y dora: la infancia bajo la mirada atenta de los hermanos benjamin
 The following text introduces the story of the siblings Walter, Georg and Dora Benjamin, who understood childhood as a topic of interest, training, performance and theoretical production. Walter sees childhood as a philosophical perspective for a critique of culture, sensitive to children's actions and language; Georg, as a pediatrician, school doctor and deputy, takes childhood as a health emergency for the formulation of public policies; and Dora weaves a strong sociological analysis of the binomial women/children crossed by the work relations transferred from the textile industry to the domestic environment. These are just a few nuances of the Benjamin siblings' multifaceted relationship with the theme of childhood. Born at the end of 19th and the beginning of the 20th centuries, they lived through the oscillation of German politics and economy, the hardships of the First World War, the rise and consolidation of Nazism which forced them, due to their Jewish origins and intellectual condition, to undergo displacement, imprisonment, illness and death. A significant part of Walter's production was saved when he deposited his writings in libraries or sent copies to friends. Georg and Dora, who were more closely linked to the communist party, did not achieve the same success, and most of their vast production was destroyed in the book bonfires perpetrated by the Nazis. This has resulted in a silencing of their history and their vast intellectual production, which is now considered visionary–a silence that denounces the policies of exception dedicated to history's erasure.
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