{"title":"Kateki先生和Love","authors":"S. Burghartz","doi":"10.24437/globaleurope.i120.453","DOIUrl":null,"url":null,"abstract":"This article examines a figure of transcultural misunderstandings: Katekisama. A statue of this name is owned by a Japanese Buddhist monastery and kept as national heritage in the national Museum in Tokyo – but this figure is none other than Erasmus of Rotterdam. Coming to Japan as a ship figure more than 400 years ago, it has shifted, accumulated, and merged identities for centuries.","PeriodicalId":446952,"journal":{"name":"Global Europe – Basel Papers on Europe in a Global Perspective","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mr Kateki and Love\",\"authors\":\"S. Burghartz\",\"doi\":\"10.24437/globaleurope.i120.453\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines a figure of transcultural misunderstandings: Katekisama. A statue of this name is owned by a Japanese Buddhist monastery and kept as national heritage in the national Museum in Tokyo – but this figure is none other than Erasmus of Rotterdam. Coming to Japan as a ship figure more than 400 years ago, it has shifted, accumulated, and merged identities for centuries.\",\"PeriodicalId\":446952,\"journal\":{\"name\":\"Global Europe – Basel Papers on Europe in a Global Perspective\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Global Europe – Basel Papers on Europe in a Global Perspective\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24437/globaleurope.i120.453\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Global Europe – Basel Papers on Europe in a Global Perspective","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24437/globaleurope.i120.453","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article examines a figure of transcultural misunderstandings: Katekisama. A statue of this name is owned by a Japanese Buddhist monastery and kept as national heritage in the national Museum in Tokyo – but this figure is none other than Erasmus of Rotterdam. Coming to Japan as a ship figure more than 400 years ago, it has shifted, accumulated, and merged identities for centuries.
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