价值、人性与审美的表达:新阶段中国电影的出现

Xing Zhou, Yuhong Ouyang
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引用次数: 0

摘要

进入21世纪以来,中国电影的创作重心从“主旋律电影”向“新主流电影”发展;这一变化使中国电影转型为世界第二大市场,使艺术创作类型的多样化和精神内涵的表达。2012年以来,中国新主流电影日益占据电影创作的主导地位,涌现出许多优秀作品。对中国主流价值观的坚持,以及多层次、多样化的创作类型,使得新阶段的中国电影成为中国文化的重要代表。新主流电影的进步体现在以下几个方面:文化价值观、人性表达、家庭伦理、审美表达,这些都在不断推动着中国电影的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Expression of Values, Humanity and Aesthetics: The Appearance of Chinese Films in the New Stage
Abstract Since the turn of the 21st century, the creative focus of Chinese films has developed from “main theme films” to “new mainstream films”; this change has led to the transformation of Chinese films as the world’s second largest market, enabling the diversification of artistic creative types and the expression of spiritual connotations. Since 2012, new mainstream films in China have increasingly occupied the leading position in film creation, with many outstanding works being produced. The adherence to China’s mainstream values, as well as the multi-tiered and diverse types of creation, make Chinese films in this new stage an important representative of Chinese culture. The progress of new mainstream films may be seen in relation to the following aspects: cultural values, the expression of humanity, family ethics, and aesthetic expression, all of which are constantly advancing the development of Chinese films.
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