在法国拍摄,在伯班克建造:如何为战后的逃亡制作铺平道路

Daniel Gómez Steinhart
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引用次数: 1

摘要

摘要:1947年,导演德尔默·戴维斯和制片人杰里·沃尔德试图说服华纳兄弟公司的高管们在法国拍摄《致维克多》(1948),并在华纳的伯班克片场完成内饰。尽管高管们不愿批准这次长途跋涉,但戴维斯和沃尔德还是成功了,并证明了国际外景工作的可行性。从各种档案和特殊收藏中,本文构建了二战后第一部在法国进行主要摄影的好莱坞作品的历史。它认为,这部电影帮助奠定了好莱坞战后失控制作的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Film It in France, Build It in Burbank: How To the Victor Paved the Way for Postwar Runaway Productions
ABSTRACT:In 1947, director Delmer Daves and producer Jerry Wald tried to convince Warner Bros. executives to film To the Victor (1948) on location in France with interiors done on Warner's Burbank lot. Despite the executives' reluctance to approve the faraway trek, Daves and Wald prevailed and proved the viability of international location work. Drawing from various archives and special collections, this article constructs a history of one of the first post–World War II Hollywood productions to conduct principal photography in France. It contends that the film helped lay the foundations for the practices that would characterize Hollywood's postwar runaway productions.
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