{"title":"从文学开始","authors":"Peggy Kamuf","doi":"10.5422/fordham/9780823280100.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter reviews Derrida’s engagement with literature in The Death Penalty, Volume I. It explicates the notion of “the right to literature” and its relation to democracy (“No democracy without literature; no literature without democracy,” as Derrida has declared elsewhere). It works through Derrida’s reading of texts by Genet, Hugo, and Blanchot. It also recalls Derrida’s analysis in Given Time of the “absolute secret” of literature and includes a brief reading of Camus’s The Stranger.","PeriodicalId":167159,"journal":{"name":"Literature and the Remains of the Death Penalty","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Beginning with Literature\",\"authors\":\"Peggy Kamuf\",\"doi\":\"10.5422/fordham/9780823280100.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter reviews Derrida’s engagement with literature in The Death Penalty, Volume I. It explicates the notion of “the right to literature” and its relation to democracy (“No democracy without literature; no literature without democracy,” as Derrida has declared elsewhere). It works through Derrida’s reading of texts by Genet, Hugo, and Blanchot. It also recalls Derrida’s analysis in Given Time of the “absolute secret” of literature and includes a brief reading of Camus’s The Stranger.\",\"PeriodicalId\":167159,\"journal\":{\"name\":\"Literature and the Remains of the Death Penalty\",\"volume\":\"16 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Literature and the Remains of the Death Penalty\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5422/fordham/9780823280100.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Literature and the Remains of the Death Penalty","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5422/fordham/9780823280100.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter reviews Derrida’s engagement with literature in The Death Penalty, Volume I. It explicates the notion of “the right to literature” and its relation to democracy (“No democracy without literature; no literature without democracy,” as Derrida has declared elsewhere). It works through Derrida’s reading of texts by Genet, Hugo, and Blanchot. It also recalls Derrida’s analysis in Given Time of the “absolute secret” of literature and includes a brief reading of Camus’s The Stranger.