{"title":"纽约艺术家对911事件的回应:阿隆·韦纳的“暴力循环”","authors":"Géraldine Fasentieux","doi":"10.4000/transatlantica.5368","DOIUrl":null,"url":null,"abstract":"Ahron Weiner and the first “decollage” of the series : Projection. Courtesy of the artist. The series entitled “Cycles of Violence” is a ten-piece visual narrative of advertising manipulations or more exactly “decollages,” that New York-based artist Ahron Weiner created and photographed in the streets of New York City. These images are meant to explore the causes, events, implications and ongoing tragedy of 9/11, thus portraying the ultimate violence of which today’s world is capable. The d...","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A New York artist’s response to 9/11: Ahron Weiner’s “Cycles of Violence”\",\"authors\":\"Géraldine Fasentieux\",\"doi\":\"10.4000/transatlantica.5368\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ahron Weiner and the first “decollage” of the series : Projection. Courtesy of the artist. The series entitled “Cycles of Violence” is a ten-piece visual narrative of advertising manipulations or more exactly “decollages,” that New York-based artist Ahron Weiner created and photographed in the streets of New York City. These images are meant to explore the causes, events, implications and ongoing tragedy of 9/11, thus portraying the ultimate violence of which today’s world is capable. The d...\",\"PeriodicalId\":422366,\"journal\":{\"name\":\"Transatlantica : Revue d'Études Américaines\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Transatlantica : Revue d'Études Américaines\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/transatlantica.5368\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transatlantica : Revue d'Études Américaines","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/transatlantica.5368","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A New York artist’s response to 9/11: Ahron Weiner’s “Cycles of Violence”
Ahron Weiner and the first “decollage” of the series : Projection. Courtesy of the artist. The series entitled “Cycles of Violence” is a ten-piece visual narrative of advertising manipulations or more exactly “decollages,” that New York-based artist Ahron Weiner created and photographed in the streets of New York City. These images are meant to explore the causes, events, implications and ongoing tragedy of 9/11, thus portraying the ultimate violence of which today’s world is capable. The d...
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