{"title":"情感共同体","authors":"M. Pandit","doi":"10.1093/oso/9780199480180.003.0002","DOIUrl":null,"url":null,"abstract":"In the second chapter, a similar line of analysis has been used to evaluate the tools of performance in order to reveal the transformation that the space of performance underwent—from being a sphere of entertainment to a forum of hitherto unheard politically empowered voices. A semiotic analysis of the space of performance and the occasion of performance has been done to illustrate the ways and means by which the performance and the spectators were transported to a different level of communion through the incitement of a passionate emotion. Such performances aroused the emotions and passions of the audiences, under the influence of which they tended to move beyond their personal or individual identity and embraced a larger identity of ‘amra’ or ‘us’.","PeriodicalId":388100,"journal":{"name":"Performing Nationhood","volume":"101 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Community of Emotion\",\"authors\":\"M. Pandit\",\"doi\":\"10.1093/oso/9780199480180.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the second chapter, a similar line of analysis has been used to evaluate the tools of performance in order to reveal the transformation that the space of performance underwent—from being a sphere of entertainment to a forum of hitherto unheard politically empowered voices. A semiotic analysis of the space of performance and the occasion of performance has been done to illustrate the ways and means by which the performance and the spectators were transported to a different level of communion through the incitement of a passionate emotion. Such performances aroused the emotions and passions of the audiences, under the influence of which they tended to move beyond their personal or individual identity and embraced a larger identity of ‘amra’ or ‘us’.\",\"PeriodicalId\":388100,\"journal\":{\"name\":\"Performing Nationhood\",\"volume\":\"101 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Performing Nationhood\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780199480180.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Performing Nationhood","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780199480180.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In the second chapter, a similar line of analysis has been used to evaluate the tools of performance in order to reveal the transformation that the space of performance underwent—from being a sphere of entertainment to a forum of hitherto unheard politically empowered voices. A semiotic analysis of the space of performance and the occasion of performance has been done to illustrate the ways and means by which the performance and the spectators were transported to a different level of communion through the incitement of a passionate emotion. Such performances aroused the emotions and passions of the audiences, under the influence of which they tended to move beyond their personal or individual identity and embraced a larger identity of ‘amra’ or ‘us’.
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