{"title":"贝壳世界:欧亚艺术与物质文化中的海洋微观世界","authors":"A. Grasskamp","doi":"10.5117/9789463721158_ch03","DOIUrl":null,"url":null,"abstract":"Asian shells were collected in early modern Europe, while Mediterranean coral\n was sought after in Asia. In both locations, artists and artisans created EurAsian\n objectscapes placing maritime material appropriated from abroad alongside\n local matter. Such painted and crafted shellscapes and coralscapes materialised\n ideas on the generation and transformation of matter. This chapter compares\n the cosmological ideas and material constituents that underlie artistic maritime\n microcosms and shows how their components echoed the material mapping of\n foreign spaces in the frameworks of European colonialism and Chinese tributary\n systems. Despite associations with culturally specific tropes in Greek mythology,\n Christianity, Daoism and Buddhism, the chapter argues that across Eurasia\n shells were believed to form gateways to underwater treasuries and give access\n to supernatural females.","PeriodicalId":139417,"journal":{"name":"Art and Ocean Objects of Early Modern Eurasia","volume":"18 4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Shell Worlds: Maritime Microcosms in EurAsian Art and Material Culture\",\"authors\":\"A. Grasskamp\",\"doi\":\"10.5117/9789463721158_ch03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Asian shells were collected in early modern Europe, while Mediterranean coral\\n was sought after in Asia. In both locations, artists and artisans created EurAsian\\n objectscapes placing maritime material appropriated from abroad alongside\\n local matter. Such painted and crafted shellscapes and coralscapes materialised\\n ideas on the generation and transformation of matter. This chapter compares\\n the cosmological ideas and material constituents that underlie artistic maritime\\n microcosms and shows how their components echoed the material mapping of\\n foreign spaces in the frameworks of European colonialism and Chinese tributary\\n systems. Despite associations with culturally specific tropes in Greek mythology,\\n Christianity, Daoism and Buddhism, the chapter argues that across Eurasia\\n shells were believed to form gateways to underwater treasuries and give access\\n to supernatural females.\",\"PeriodicalId\":139417,\"journal\":{\"name\":\"Art and Ocean Objects of Early Modern Eurasia\",\"volume\":\"18 4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art and Ocean Objects of Early Modern Eurasia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789463721158_ch03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art and Ocean Objects of Early Modern Eurasia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463721158_ch03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Shell Worlds: Maritime Microcosms in EurAsian Art and Material Culture
Asian shells were collected in early modern Europe, while Mediterranean coral
was sought after in Asia. In both locations, artists and artisans created EurAsian
objectscapes placing maritime material appropriated from abroad alongside
local matter. Such painted and crafted shellscapes and coralscapes materialised
ideas on the generation and transformation of matter. This chapter compares
the cosmological ideas and material constituents that underlie artistic maritime
microcosms and shows how their components echoed the material mapping of
foreign spaces in the frameworks of European colonialism and Chinese tributary
systems. Despite associations with culturally specific tropes in Greek mythology,
Christianity, Daoism and Buddhism, the chapter argues that across Eurasia
shells were believed to form gateways to underwater treasuries and give access
to supernatural females.