公开演讲的替代方案

Shuzhen Huang
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引用次数: 0

摘要

从历史上看,出柜的话语一直是建立和维持美国LGBTQ运动的有效工具。它也被用作一种授权资源,使酷儿们能够建立一个围绕自我意识和自我表达的酷儿身份。然而,有色酷儿批判和跨国酷儿理论认为,流行的出柜话语是建立在一种特殊的酷儿经历和地理上的,这通常是从美国城市公民白人中产阶级男性的角度出发,很少是从有色酷儿和非西方酷儿主体的经历中衍生出来的。从交叉的角度来看,斯诺顿质疑了壁橱的种族化,并提出了一种无知的性政治——与公开话语的必要性相反——作为一种不可治理的策略。费舍尔以被认定为酷儿的俄裔美国移民的经历为中心,提出了“出柜”和“出柜”性取向之间一种流动而富有成效的关系,这种关系抵制了任何固定的分类。关注当地酷儿积极分子所采用的掩蔽策略,马丁将“鲜身”模式理论化,这是台湾的一种地方身份政治,质疑主流出柜话语中可见性的条件。作为对“出柜”话语跨国传播的非殖民化回应,周描绘了一种“回家”的方式,通过控制和隐藏酷儿欲望来强调家庭的虔诚与和谐。出于对周杰伦作品中民族主义冲动的谨慎,黄和布劳威尔提出了一种“与之同行”的模式,以捕捉中国酷儿与家庭制度不认同的斗争。这些另类范式作为认知工具,旨在修正对酷儿抵抗和酷儿关系的理解,并帮助人们超越想象,为一个可居住的酷儿未来而出柜。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Alternatives to Coming Out Discourses
The discourse of coming out has historically served as an effective vehicle to build and sustain the LGBTQ movement in the United States. It has also been utilized as an empowering resource that enables queer people to establish a queer identity organized around self-awareness and self-expression. However, queer of color critique and transnational queer theory argue that the prevalent discourse of coming out is built on a particular kind of queer experience and geography, which is usually from the standpoint of White, middle-class men of urban U.S. citizenship and is rarely derived from the experience of queer people of color and non-Western queer subjects. Taking an intersectional perspective, Snorton interrogates the racialization of the closet and proposes a sexual politics of ignorance—opposed to the disclosure imperative in coming out discourse—as a tactic of ungovernability. Centering the experience of Russian American immigrants who are queer-identified, Fisher proposes a fluid and productive relationship between the “closeted” and the “out” sexuality that resists any fixed categorization. Focusing on the masking tactic deployed by local queer activists, Martin theorizes the model of xianshen, a local identity politics in Taiwan that questions the very conditions of visibility in dominant coming out discourse. As a decolonial response to the transnational circulation of coming out discourse, Chou delineates a “coming home” approach that emphasizes familial piety and harmony by reining in and concealing queer desires. Being cautious against the nationalist impulse in Chou’s works, Huang and Brouwer propose a “coming with” model to capture the struggles among Chinese queers to disidentify with the family institution. These alternative paradigms serve as epistemic tools that aim to revise understanding of queer resistance and queer relationality and help people to go beyond the imagination of coming out for a livable queer future.
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