没有仁慈,没有尊严:反思我们的kunstnerisk utviklingsarbeid i Ål kyrkje

T. Thorsnes
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引用次数: 0

摘要

本章讨论了在制作临时艺术装置的过程中所涉及的尊严和大规模移民问题。该装置位于“Ål kyrkje”,这是挪威哈林达尔的一座教堂。作为这一章的作者,我既是一个装置艺术家,也是一个研究自己艺术作品的人。本章首先介绍了“尊严”的概念,并阐述了我对“尊严”概念的理解,即“尊严”是开放的、动态的、有生命的。不同的文化和组织赋予尊严的概念不同的含义。在我看来,重要的是要意识到这些不同的理解,并试图找到通过对话公开交流的方法。社会符号学理论基于这样一种认识,即所有的交流都是社会性的。这一理论承认语境和所有参与者在交际中所扮演的角色的重要性。这一章的主要目的是探索我如何制作一个艺术装置,它不给出具体的答案,而是引发参观者的体验、对话、反思和关于大规模移民和尊严的新问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
No mercy no dignity: Refleksjoner over et kunstnerisk utviklingsarbeid i Ål kyrkje
This chapter discusses questions of dignity and mass migration addressed during the process of the making of a temporary art installation. The installation is located at “Ål kyrkje”, a church in Hallingdal in Norway. As the writer of this chapter I am both an artist making the installation and a researcher on my own art work. The chapter starts with an introduction to the concept “dignity” and a presentation of my understanding of the concept as open, dynamic and living. Different cultures and organizations assign different meanings to the concept of dignity. In my opinion, it is important to be aware of these different sunderstanding, and to try to find ways to communicate them openly and through dialog. Social semiotic theory is based on an understanding that all communication is social. This theory acknowledges the importance of roles that both the context and all the participants have in the communication. The main purpose of this chapter is to explore how I can make an art installation that does not give specific answers, but initiate visitors’ experiences, dialogues, reflections and new questions about mass migration and dignity.
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