青年建构与对问题作者的回应:检视ELA教师选择或回避谢尔曼·阿列克谢的选择

Mike Cook, A. Boyd, Brandon L. Sams
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引用次数: 0

摘要

目的本研究的目的是检查教师的青年结构如何告知他们的文本选择,特别是当他们涉及到一个有问题的作者。设计/方法/方法作为一项更大的全国性研究的一部分,作者使用了来自18名参与者的访谈数据——9名仍在教学,9名不再教阿列克谢——来考虑教师对青年的建构如何在他们决定教授或避免复杂和有争议的作者和话题时发挥作用,特别是谢尔曼·阿列克谢在#MeToo时代的工作和生活。研究结果表明,通过以资产为基础的框架(既复杂又有能力)培养青少年的教师,可能会继续教授Alexie,或者就#MeToo运动展开对话。以缺陷方式构建学生的教师,如“没有准备好”,回到Lesko(2012)的批评中,更有可能将Alexie完全从课程中删除,或者只让学生参与关于文本的对话,将Alexie的生活排除在课堂之外。原创性/价值基于Lesko关于青少年建构的工作及其与Petrone等人的青年镜头和批判性青年研究(例如,Petrone和Lewis, 2021)的交集,本研究描述了教师对学生的看法如何成为他们围绕是否、是否或如何包括谢尔曼·阿列克谢的作品和生活的教学决策的基本依据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Constructions of youth and responses to problematic authors: examining ELA teachers’ choices to select or avoid Sherman Alexie
Purpose The purpose of this study was to examine how teachers’ constructions of youth inform their text selections, particularly as they relate to a problematic author. Design/methodology/approach As part of a larger, national study, the authors use interview data from 18 participants – 9 who still teach and 9 who no longer teach Alexie – to consider how teachers’ constructions of youth play roles in their decisions to teach or avoid complex and controversial authors and topics, specifically the work and life of Sherman Alexie in the #MeToo era. Findings Findings suggest teachers who constructed youth through asset-based frameworks – as complex and capable – were likely to keep teaching Alexie or have conversations about the #MeToo movement. Teachers who constructed students in deficit ways, as “not ready,” harkened back to Lesko’s (2012) critique, and were more likely to either remove Alexie from the curriculum entirely or engage students in conversations about the text only, leaving Alexie’s life out of the classroom. Originality/value Building on Lesko’s work on constructions of adolescence and its intersection with Petrone et al.’s youth lens and Critical Youth Studies (e.g., Petrone and Lewis, 2021), this study describes the ways in which teachers’ views of students served as rationales for their teaching decisions around whether, if or how to include the works and life of Sherman Alexie.
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