面对马其顿文艺复兴时期的认知和思维努力:第三部分:匈牙利圣斯蒂芬加冕斗篷(皇家卡苏拉)上斯蒂芬努斯和克莱门斯画像的描绘体系和意义

2020 11th IEEE International Conference on Cognitive Infocommunications (CogInfoCom) Pub Date : 2020-09-23 DOI:10.1109/CogInfoCom50765.2020.9237852

P. Várlaki, J. Steiner-Várlaki, P. Baranyi

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引用次数: 0

摘要

本文讨论了匈牙利圣斯蒂芬的皇家(加冕)长袍(卡苏拉)艺术作品，涉及作者斯蒂芬国王的“教父圣徒”，“莱维塔·斯蒂芬努斯”(原殉道者)在马其顿文艺复兴时期的风格，代表了更新传统基督教解释的精神和气动体验。在这里，迷人的神器的主要目的是解释在古希腊的思想和神秘的犹太教气动传统的历史和结构背景，为基督教新的星号-圆盘圣餐礼仪。

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Encountering the Cognitive and Noetic Endeavors of Macedon Renaissance : Part III: System of Depicting and Meaning for the Picture of Stephanus and Clemens on the Coronation Mantle (Royal Casula) of St Stephen of Hungary

The paper discusses artworks of Royal (Coronation) Robe (Casula) of St Stephen of Hungary concerning the picture of the “Godfather Saint” of the author-king Stephen, ‘Levita Stephanus’ (Protomartyr) in the style of the Macedonian Renaissance representing noetic and pneumatic experiences renewing the traditional Christian interpretations. Here the main purpose of the fascinating Artifact is the explanation of the historical and structural background in the old Greek noetic and mystical Judaist pneumatic tradition for the Christian new kind of the Asterisk- disc eucharistic liturgy.

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2020 11th IEEE International Conference on Cognitive Infocommunications (CogInfoCom)

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