Hot 5和Seven

Creating the Jazz Solo Pub Date : 2018-10-09 DOI:10.14325/mississippi/9781496819772.003.0015

Vic Hobson

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引用次数: 0

摘要

本章探讨了阿姆斯特朗在20世纪20年代的一些十二小节蓝调录音，以及阿姆斯特朗如何使用理发店的练习和滑动来产生II-V替换(“Gut Bucket blues”)，改变和声(“Gully Low blues”和“Savoy blues”)和和弦替换(“Have You Ever Been Down?”)。这一章展示了阿姆斯特朗演奏中一些无法通过传统理论模型解释的旋律特征是如何在理发店实践中得到解释的。

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The Hot Five and Seven

This chapter explores some of Armstrong’s twelve-bar blues recordings in the 1920s, and how Armstrong’s use of barbershop practice and swipes gave rise to II-V substitutions (“Gut Bucket Blues”), altered harmony (“Gully Low Blues” and “Savoy Blues”), and chord substitutions (“Have You Ever Been Down?”). The chapter shows how a number of melodic features in Armstrong’s playing that have defied explanation through conventional theoretical models can be explained in the light of barbershop practice.

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Creating the Jazz Solo

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