令人不适的麻木:伊丽莎白·沃泽尔的酷生活方式

J. Annesley
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引用次数: 1

摘要

伊丽莎白·沃泽尔(Elizabeth Wurtzel)的回忆录《百忧解》(Prozac Nation)和《更多,现在,再来》(More, Now, Again)的忏悔页,以及她的新闻和非小说类作品中对流行文化的思考,始终如一地强调标志性的反叛形象。认识到这些模式与她对成瘾和抑郁的广泛关注相结合的方式,本文将Wurtzel对外部世界的看法与酷经常明确的男性化话语联系起来,并从那里开始展示对酷生活方式的关注在多大程度上影响了她对成瘾和抑郁的表现。从文化和心理的角度来看,“令人不安的麻木”不仅说明了Wurtzel的写作和塑造对“酷”的解释的模式,而且说明了一个抑郁的自我被叙述、协商和理解的本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Uncomfortably Numb: Elizabeth Wurtzel’s Cool Lifestyles
ABSTRACT On the confessional pages of her memoirs Prozac Nation and More, Now, Again and in the meditations on popular culture that characterise her journalism and non-fiction, Elizabeth Wurtzel’s writing demonstrates a consistent emphasis on images of iconic rebellion. Recognising the ways these patterns mesh with her wider focus on addiction and depression, this article situates Wurtzel’s vision of outsiderdom in relation to cool’s often explicitly masculine discourses and moves from there to demonstrate the extent to which the focus on cool lifestyles informs her representations of addiction and depression. In terms that connect the cultural with the psychological, ‘Uncomfortably numb’ illuminates not just Wurtzel’s writing and the patterns that shape the interpretation of cool, but the nature of the way a depressive self is narrated, negotiated and understood.
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