{"title":"在海德格尔手稿的新出版物中，艺术作为存在的真理的工作本身","authors":"Nebojša Grubor","doi":"10.2298/THEO1902009G","DOIUrl":null,"url":null,"abstract":"The paper follows the thesis that the Heidegger?s distinction between\n presenting the beings and production of being from the book ?In addition to\n his own publications? (2018) proves that the expression ?beings? from\n Heidegger?s definition of art as the setting-itself-to-work of the truth of\n beings from the essay ?The Origin of the Work of Art? (1936) can have a\n threefold meaning: beings as beings represented in the work of art (relevant\n for representational arts), beings as an artwork itself (relevant for both\n representational and non-representational arts) and, finally, beings as\n beings as a whole.","PeriodicalId":374875,"journal":{"name":"Theoria, Beograd","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Art as the setting itself to work of the truth of beings in the light of new publications of Heidegger’s manuscripts\",\"authors\":\"Nebojša Grubor\",\"doi\":\"10.2298/THEO1902009G\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper follows the thesis that the Heidegger?s distinction between\\n presenting the beings and production of being from the book ?In addition to\\n his own publications? (2018) proves that the expression ?beings? from\\n Heidegger?s definition of art as the setting-itself-to-work of the truth of\\n beings from the essay ?The Origin of the Work of Art? (1936) can have a\\n threefold meaning: beings as beings represented in the work of art (relevant\\n for representational arts), beings as an artwork itself (relevant for both\\n representational and non-representational arts) and, finally, beings as\\n beings as a whole.\",\"PeriodicalId\":374875,\"journal\":{\"name\":\"Theoria, Beograd\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Theoria, Beograd\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/THEO1902009G\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theoria, Beograd","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/THEO1902009G","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文遵循海德格尔?除了他自己的出版物之外，他还从书中阐述了存在的呈现和存在的生产之间的区别?(2018)证明了?存在?从海德格尔?《艺术作品的起源》(the Origin of the Work of art)一文中对艺术的定义是:“艺术是存在的真理的自我设定”。(1936)可以有三重含义:作为艺术作品中表现的存在(与代表性艺术相关)，作为艺术品本身的存在(与代表性和非代表性艺术相关)，最后，作为整体存在的存在。
Art as the setting itself to work of the truth of beings in the light of new publications of Heidegger’s manuscripts
The paper follows the thesis that the Heidegger?s distinction between
presenting the beings and production of being from the book ?In addition to
his own publications? (2018) proves that the expression ?beings? from
Heidegger?s definition of art as the setting-itself-to-work of the truth of
beings from the essay ?The Origin of the Work of Art? (1936) can have a
threefold meaning: beings as beings represented in the work of art (relevant
for representational arts), beings as an artwork itself (relevant for both
representational and non-representational arts) and, finally, beings as
beings as a whole.
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