两个原型创造者

W. T. Schultz
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引用次数: 0

摘要

在第5章中,作者强调了模型是在大多数情况下,大多数时间工作的近似的想法。它们在群体中捕捉到家族的相似性。这个团体的成员,在这个例子中是艺术家,“看起来很像”。模型之所以有用,是因为它们允许我们进行预测。但更常见的是,它们也能让我们理解,当我们理解时,我们不仅能理解我们感兴趣的人,除此之外,我们也能理解我们自己。在这一章中,作者将他的模型应用于两位著名艺术家的生活和艺术:大卫·鲍伊和弗里达·卡罗。这一讨论表明,将艺术视为一种逃避或意外治疗是没有必要的,通常也是不准确的。它是对独特的重要经历的重复,或多或少都是象征性的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Two Prototypical Creators
In Chapter 5, the author reinforces the idea that models are approximations that work in most cases, most of the time. They capture family resemblances within groups. The members of the group, in this instance artists, “look alike.” Models help because they allow us to predict. But they also, more commonly, allow us to understand, and when we understand, we not only make sense of another person we are interested in, we also, in addition to that, make sense of ourselves. In this chapter, the author applies his model to the lives and art of two famous artists: David Bowie and Frida Kahlo. This discussion reveals that it’s not necessary, and usually not accurate, to think of art as an escape or unintended cure. It is repetition, in thin or thick symbolic terms, of uniquely important experiences.
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