统一框架视角下的自动写歌训练策略

Tao Qian, Jiatong Shi, Shuai Guo, Peter Wu, Qin Jin
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引用次数: 4

摘要

自动歌曲创作(ASW)通常包括四个任务:歌词到歌词的生成、旋律到旋律的生成、歌词到旋律的生成和旋律到歌词的生成。以往的工作主要集中在单个任务上,没有考虑到它们之间的相关性,因此尚未探索一个统一的框架来解决这四个任务。在本文中,我们提出了一个统一的框架,遵循预训练和微调范式,用一个模型解决所有四个ASW任务。为了缓解配对歌词-旋律数据在歌词-旋律生成和旋律-歌词生成中的数据稀缺问题,我们采用了两个未配对数据的预训练阶段。此外,我们引入了对偶变换损失,以充分利用微调阶段的成对数据来加强旋律和歌词之间的弱相关性。我们还设计了一个客观的音乐生成评价指标,包括音阶规则和更现实的设置,这消除了以前作品中采用的一些严格的假设。据我们所知,这项工作是第一次探索中文流行歌曲的ASW。大量的实验证明了双重变换损失和包含所有四种任务的统一模型结构的有效性。实验结果还表明,我们提出的新评估指标与人类听众的主观意见得分更加一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Training Strategies for Automatic Song Writing: A Unified Framework Perspective
Automatic song writing (ASW) typically involves four tasks: lyric-to-lyric generation, melody-to-melody generation, lyric-to-melody generation, and melody-to-lyric generation. Previous works have mainly focused on individual tasks without considering the correlation between them, and thus a unified framework to solve all four tasks has not yet been explored. In this paper, we propose a unified framework following the pre-training and fine-tuning paradigm to address all four ASW tasks with one model. To alleviate the data scarcity issue of paired lyric-melody data for lyric-to-melody and melody-to-lyric generation, we adopt two pre-training stages with unpaired data. In addition, we introduce a dual transformation loss to fully utilize paired data in the fine-tuning stage to enforce the weak correlation between melody and lyrics. We also design an objective music generation evaluation metric involving the chromatic rule and a more realistic setting, which removes some strict assumptions adopted in previous works. To the best of our knowledge, this work is the first to explore ASW for pop songs in Chinese. Extensive experiments demonstrate the effectiveness of the dual transformation loss and the unified model structure encompassing all four tasks. The experimental results also show that our proposed new evaluation metric aligns better with subjective opinion scores from human listeners.
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