Siergiej Kowalow
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引用次数: 0

摘要

本文分析了奥列格·本贝尔早期的哲学性和亲昵性的歌词,这些歌词至今还没有被文学评论家研究过。奥列格·本贝尔是一位持不同政见的哲学家,著有《母语、道德和审美进步》(Родная мова - маральна-эстэтычны прагрэс,伦敦,1985年)一书,也是一位诗人兼僧侣,以笔名Znich撰写宗教爱国和宗教祈祷诗歌。奥列格·本贝尔早期的世俗抒情诗收录在集体诗集《Wing》(Крыло,明斯克,1984)中,本文认为:1)是再现这位著名诗人创作演变的重要因素;2)作为80年代白俄罗斯诗歌中知识分子和哲学思潮的一个例子。20世纪;3)为研究苏维埃白俄罗斯和整个极权社会的审查制度与艺术创作的关系提供了宝贵的材料。很难将奥列格·本贝尔(奥列格·本贝尔)早期的哲学和亲密的歌词与他在“地下刊物”和移民出版物中持不同政见者和宗教诗歌进行比较,但它也可以被认为是一种不墨规的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Краіна мі-мінор. Ранняя лірыка Алега Бембеля (Зніча)
The article analyzes the early philosophical and intimate lyrics of Oleg Bembel, which until now have not been the subject of research by literary critics. Oleg Bembel is known as a dissident philosopher, and author of the book Native Language and Moral and Aesthetic Progress (Родная мова і маральна-эстэтычны прагрэс, London, 1985), and also as a poet-monk, author of religious-patriotic and religious-prayer poems under the pseudonym Znich. The early secular lyrics of Oleg Bembel, published in the collective poetry collection Wing (Крыло, Minsk, 1984), are considered in the article: 1) as an important element in reproducing the creative evolution of the famous poet; 2) as an example of the intellectual and philosophical trend in the Belarusian poetry of the 80s. 20th century; 3) as valuable material for studying the relationship between censorship and artistic creation in Soviet Belarus and totalitarian society as a whole. It is difficult to compare the early philosophical and intimate lyrics of Oleg Bembel (Znich) with his dissident and religious poems in “samizdat” and emigration publications, but it can also be considered a manifestation of  nonconformism.
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