为混合学习模式重新设计屏幕制作教学法

Andrew Couzens, J. Cattoni
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引用次数: 0

摘要

中央昆士兰大学的数字媒体学士课程实行校内和在线授课的政策。屏幕制作的引入为在这种混合环境中交付生产单元提供了一个独特的机会。尽管由于COVID-19的限制,人们对混合交付模式产生了广泛的兴趣,但对大流行之外在线屏幕制作课程的可能性的研究很少。在本文中,我们探讨了在线/校园混合交付模式的挑战和机遇,认为迫切需要这项研究来解决区域和远程从业者在获得培训和资源方面的差距。我们概述了我们的情境化,以学生为导向的屏幕制作教学法,其重点是设计可扩展的,设备不确定的课程,鼓励“全面电影人”的方法;通过在线工具建立社区和协作;创建强大的在线单元资源;并提供小组面对面活动的机会。我们的教学方法挑战了屏幕制作行业的结构性障碍和等级制度,建立了社区讲述自己故事的能力,并使新的声音出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Redesigning screen production pedagogy for hybrid learning models
ABSTRACT The Bachelor of Digital Media at Central Queensland University has a policy of offering all units on-campus and online. The introduction of screen production to the degree introduces a unique opportunity to interrogate best practice for delivering production units in this hybrid context. Despite widespread interest in hybrid delivery models due to COVID-19 restrictions, there has been little research into the possibilities of online screen production curriculum beyond the pandemic. In this paper, we interrogate the challenges and opportunities of a hybrid online/on-campus delivery model, arguing that this research is urgently needed to address gaps in access to training and resources for regional and remote practitioners. We outline our contextualised, student-oriented approach to screen production pedagogy, which focuses on designing scalable, equipment agnostic curriculum that encourages a ‘total filmmaker’ approach; building community and collaboration through online tools; creating robust online unit resources; and providing opportunities for small-group face-to-face activities. Our pedagogical approach challenges the screen production industry’s structural barriers and hierarchies, building the capacity of communities to tell their own stories and enabling new voices to emerge.
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CiteScore
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