舞池中的性与欲望:一种酷儿后结构主义的方法来重新审视情色舞蹈

Nina Poels
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引用次数: 0

摘要

在这篇文章中,我打算研究色情舞蹈作为一种休闲活动在西方社会的日益流行,并质疑这些舞者在使用性解放和赋权的话语时究竟是在收回什么。为了解决性别、性行为和表演的复杂性,本研究在研究情色舞蹈时使用了酷儿后结构主义分析和民族志方法。根据对男女学生和教师的观察和深入访谈,本研究认为,将色情舞蹈仅仅视为性商业化趋势中的一种炒作,忽视了这些色情舞者通过调查他们性感身体的生产来破坏和解构关于性和性别的规范观念的有用和颠覆性的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sexuality and Desire on the dance floor: A Queer Post-structuralist approach on Reclaiming Erotic Dances
In this article I intend to examine the rising popularity of erotic dances as a leisure activity in Western societies and question what exactly it is these dancers are reclaiming when using a discourse about sexual liberation and empowerment. In order to address the complexity of gender, sexuality and performance this study uses a queer post-structuralist analysis and an ethnographic methodology when studying erotic dances. On the basis of observations and in-depth interviews with male and female students and instructors, this study argues that writing off erotic dance solely as a hype within the trend to commercialise sexuality, is ignoring the useful and subversive ways in which these erotic dancers are investigating the production of their sexed bodies to disrupt and deconstruct normative ideas about sexuality and gender.
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