{"title":"叶芝的《尸骨之梦》与全球现代主义的局限","authors":"Cóilín Parsons","doi":"10.3366/edinburgh/9781474456692.003.0004","DOIUrl":null,"url":null,"abstract":"This piece attempts to reconcile specificity with abstraction, Ireland with Japan, the present with the past in The Dreaming of the Bones. The landscape works as a historical palimpsest of a contested history, a balancing of the poetics of place and non-place. Yeats maps his world using different scales of measurement.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"W. B. Yeats’s The Dreaming of the Bones and the Limits of Global Modernism\",\"authors\":\"Cóilín Parsons\",\"doi\":\"10.3366/edinburgh/9781474456692.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This piece attempts to reconcile specificity with abstraction, Ireland with Japan, the present with the past in The Dreaming of the Bones. The landscape works as a historical palimpsest of a contested history, a balancing of the poetics of place and non-place. Yeats maps his world using different scales of measurement.\",\"PeriodicalId\":371259,\"journal\":{\"name\":\"The Edinburgh Companion to Irish Modernism\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Edinburgh Companion to Irish Modernism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474456692.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Edinburgh Companion to Irish Modernism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474456692.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
W. B. Yeats’s The Dreaming of the Bones and the Limits of Global Modernism
This piece attempts to reconcile specificity with abstraction, Ireland with Japan, the present with the past in The Dreaming of the Bones. The landscape works as a historical palimpsest of a contested history, a balancing of the poetics of place and non-place. Yeats maps his world using different scales of measurement.
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