Das Bild eines „europäischen Goethe“ in Nietzsches Götzen-Dämmerung. Einige Bemerkungen

Abstract This article analyses the origin of TI 49–51 on the basis of several posthumous fragments from the autumn of 1887, which had been reworked in 1888. This analysis highlights significant connections that got lost along the way to the final version of these aphorisms, such as Nietzsche’s comparison between Goethe and Spinoza which, in 1887, was the beginning of his updated reflections on Goethe. The origin and context of these aphorisms allow for a better understanding of the long-established image of Goethe expressed in the aphorisms of Twilight of the Idols and their close connection to the new reflections on Goethe as they had already come to the fore in Human, All Too Human when Nietzsche distanced himself from Wagner’s ideas. This also presents the opportunity for a more careful consideration of Nietzsche’s conception of European culture and its intellectual heritage and his relation to Napoleon as well as his characterization of the eighteenth-century and the need for self-overcoming during the nineteenth-century. Nietzsche considered this self-overcoming to be an important aspect of his thinking, and Goethe was an important precursor for Nietzsche’s conception of self-overcoming.