{"title":"荷兰少女和她英勇的女继承人","authors":"M. Peacock","doi":"10.1163/9789004391352_005","DOIUrl":null,"url":null,"abstract":"The Maid of Holland, or Hollandia as she was called, was employed in a variety of visual formats and types during the Golden Age. These varied allegorical renderings aided in the signification of diverse meanings circulating around the cult figure. She embodied religious, political, and – particularly important for the purposes of this article – gendered discourses. Her popular representation began to flourish at the time of the Revolt, as she came to symbolize the struggle for liberty against Spanish oppression.1 While much has been asserted about her religious origins and her patriotic symbolism, there have been no attempts at theorizing her meaning for the female spectatrix specifically. I would argue that this gender-crossing archetype had the ability to shape cultural opinions regarding the female sex that would be enabling for women in this society. Instead of constantly imaging women within the traditional structures of the male gaze, Dutch artists of the seventeenth century – inspired by this masculine archetype – began to visually explore the active, strong, and skillful characteristics of women. In addition, it will be asserted that the representation of such powerful women had a long-lasting legacy, influencing the formulation of gender status and roles for women from the beginnings of the Revolt in the later half of the sixteenth century and continuing throughout","PeriodicalId":198400,"journal":{"name":"Women and Gender in the Early Modern Low Countries, 1500 - 1750","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Maid of Holland and Her Heroic Heiresses\",\"authors\":\"M. Peacock\",\"doi\":\"10.1163/9789004391352_005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Maid of Holland, or Hollandia as she was called, was employed in a variety of visual formats and types during the Golden Age. These varied allegorical renderings aided in the signification of diverse meanings circulating around the cult figure. She embodied religious, political, and – particularly important for the purposes of this article – gendered discourses. Her popular representation began to flourish at the time of the Revolt, as she came to symbolize the struggle for liberty against Spanish oppression.1 While much has been asserted about her religious origins and her patriotic symbolism, there have been no attempts at theorizing her meaning for the female spectatrix specifically. I would argue that this gender-crossing archetype had the ability to shape cultural opinions regarding the female sex that would be enabling for women in this society. Instead of constantly imaging women within the traditional structures of the male gaze, Dutch artists of the seventeenth century – inspired by this masculine archetype – began to visually explore the active, strong, and skillful characteristics of women. In addition, it will be asserted that the representation of such powerful women had a long-lasting legacy, influencing the formulation of gender status and roles for women from the beginnings of the Revolt in the later half of the sixteenth century and continuing throughout\",\"PeriodicalId\":198400,\"journal\":{\"name\":\"Women and Gender in the Early Modern Low Countries, 1500 - 1750\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Women and Gender in the Early Modern Low Countries, 1500 - 1750\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/9789004391352_005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women and Gender in the Early Modern Low Countries, 1500 - 1750","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004391352_005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Maid of Holland, or Hollandia as she was called, was employed in a variety of visual formats and types during the Golden Age. These varied allegorical renderings aided in the signification of diverse meanings circulating around the cult figure. She embodied religious, political, and – particularly important for the purposes of this article – gendered discourses. Her popular representation began to flourish at the time of the Revolt, as she came to symbolize the struggle for liberty against Spanish oppression.1 While much has been asserted about her religious origins and her patriotic symbolism, there have been no attempts at theorizing her meaning for the female spectatrix specifically. I would argue that this gender-crossing archetype had the ability to shape cultural opinions regarding the female sex that would be enabling for women in this society. Instead of constantly imaging women within the traditional structures of the male gaze, Dutch artists of the seventeenth century – inspired by this masculine archetype – began to visually explore the active, strong, and skillful characteristics of women. In addition, it will be asserted that the representation of such powerful women had a long-lasting legacy, influencing the formulation of gender status and roles for women from the beginnings of the Revolt in the later half of the sixteenth century and continuing throughout