{"title":"关于时间,城市村庄和伦敦浪漫喜剧的数字破坏","authors":"Harriet Idle","doi":"10.7560/vlt9202","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This article examines the disruptions seen between the London romantic comedy's depictions of pre- and post-digital urban space. Focusing on Richard Curtis's About Time (2013) as a pivotal case study, I analyze how the London rom-com has navigated the rapid integration of digital technologies within urban life since the genre's boom in the 1990s. I argue that the kinds of aesthetic and formal challenges to rom-com conventions seen in About Time in fact preserve the genre's central ideological underpinnings (and expectations of city space) in the face of the potentially unsettling or destructive impacts of digitization.","PeriodicalId":335072,"journal":{"name":"The Velvet Light Trap","volume":"92 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"About Time, The Urban Village, and Digital Disruptions of the London Romantic Comedy\",\"authors\":\"Harriet Idle\",\"doi\":\"10.7560/vlt9202\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This article examines the disruptions seen between the London romantic comedy's depictions of pre- and post-digital urban space. Focusing on Richard Curtis's About Time (2013) as a pivotal case study, I analyze how the London rom-com has navigated the rapid integration of digital technologies within urban life since the genre's boom in the 1990s. I argue that the kinds of aesthetic and formal challenges to rom-com conventions seen in About Time in fact preserve the genre's central ideological underpinnings (and expectations of city space) in the face of the potentially unsettling or destructive impacts of digitization.\",\"PeriodicalId\":335072,\"journal\":{\"name\":\"The Velvet Light Trap\",\"volume\":\"92 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Velvet Light Trap\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/vlt9202\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Velvet Light Trap","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/vlt9202","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文探讨了这部伦敦浪漫喜剧对前数字时代和后数字时代城市空间的描述之间的差异。以理查德·柯蒂斯(Richard Curtis)的《关于时间》(About Time, 2013)为例,我分析了自20世纪90年代该类型电影蓬勃发展以来,这部伦敦浪漫喜剧是如何驾驭数字技术与城市生活的快速融合的。我认为,在面对数字化带来的潜在不安或破坏性影响时,《关于时间》对浪漫喜剧传统的美学和形式挑战,实际上保留了这一类型的核心意识形态基础(以及对城市空间的期望)。
About Time, The Urban Village, and Digital Disruptions of the London Romantic Comedy
ABSTRACT:This article examines the disruptions seen between the London romantic comedy's depictions of pre- and post-digital urban space. Focusing on Richard Curtis's About Time (2013) as a pivotal case study, I analyze how the London rom-com has navigated the rapid integration of digital technologies within urban life since the genre's boom in the 1990s. I argue that the kinds of aesthetic and formal challenges to rom-com conventions seen in About Time in fact preserve the genre's central ideological underpinnings (and expectations of city space) in the face of the potentially unsettling or destructive impacts of digitization.