我国著作权法中舞蹈作品保护的核心问题

Rina Su
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引用次数: 0

摘要

当前位置不存在这样一种艺术,它被大众解读,被情感评判,被神秘地解释。如何用著作权法保护舞蹈作品的问题引发了许多人的讨论。对此,国内一些学者提出了保护编舞作品记录、保护舞台整体、保护动作设计等观点。各国立法对舞蹈作品的解释与我国司法判决书中对舞蹈作品的解释差异很大,这就揭示了编舞作品内涵复杂的面纱。戏剧与舞蹈的结合使舞蹈艺术成为一个独立的艺术门类。同时,这也使得舞蹈表演的空间仍然局限在一个特殊的区域。网络技术给舞蹈作品的版权保护带来了新的冲击。所以首先要保护动作的设计,还需要包含其他一些必要的元素,比如灯光,服装,道具等等。前者是舞蹈作品的灵魂,后者有时可以体现作者的独创性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Core of Dance Works' Protection in Chinese Copyright Law
: There is no such kind of art which is interpreted by public, is judged emotionally and is explained mysteriously [1]. The issue about how to protect dance work by copyright law triggers many people to discuss. Some Chinese scholars responded this questions with their own opinions like protecting the records of choreography work, protecting the whole things on the stage, protecting the design of actions. The explanation of dance work in many countries’ legislation and in Chinese judicial judgments are different dramatically, which reveals the veil that the connotation of choreography work is complicated. The combination of theater and dance makes dance art become an independent art category. At the same time, it also makes the dancing performance space is still limited in a special area. Network technology has brought new impacts to the dance works’ copyright protection. So it is first to protect design of the action and it is also need to contain other elements that are some necessary materials, like lights, costumes, props and so on. The former is the soul of dance work and the later may be show the author’s originality at sometimes.
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