内存

Lina Bolzoni
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引用次数: 0

摘要

这一章从《新生》开篇的记忆之书的形象开始为了展示它在《libello》的结构中所扮演的角色以及它与记忆艺术传统的联系。在《约定》中,记忆被赋予了伦理维度,这意味着作者觉得有必要将知识传授给人类。在《喜剧》中,记忆在作品的写作中仍然是必不可少的,然而,是对另一个世界的记忆赋予了它新的价值。另一个世界的三个领域的有序结构是由但丁与不同人物的相遇而激活的,这些人物依次成为他们所犯的罪或定义他们的美德的想象代理人。因此,朝圣者的旅程在他的身体和心灵上留下了神圣秩序的记忆,并产生了一种内在的转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Memory
This chapter begins from the image of the book of memory with which the Vita Nova opens in order to demonstrate both the role that it plays in the structure of the libello and its links with the tradition of the art of memory. In the Convivio, memory takes on an ethical dimension, meaning that the writer feels the need to give knowledge to humankind. In the Commedia, memory continues to be essential in the writing of the work, however, it is memory of the other world, which endows it with a new value. The ordered structure of the three realms of the other world is animated by Dante’s encounters with diverse characters, who become in their turn imagines agentes of the sin committed or of the virtue that defined them. Thus, the pilgrim’s journey imprints on his body and mind the memory of divine order and generates an internal transformation.
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