就地弃船

Jonathan R. Eller
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引用次数: 0

摘要

1978年从欧洲回国后,布拉德伯里无法就《永远的幽灵》(the Ghosts of Forever)与史密森尼博物馆达成协议。《永远的幽灵》是一部动画电影,讲述了史密森尼各个博物馆的奇幻之旅。第12章继续记录旅行者1号和旅行者2号前往外太阳系的旅程,促使美国宇航局加州理工学院的喷气推进实验室将布拉德伯里与他的“火星与人类思维”同事阿瑟·c·克拉克、卡尔·萨根和喷气推进实验室主任布鲁斯·默里召集在一起,举办了“木星与人类思维”研讨会。这一章还描述了NBC迷你剧《火星编年史》(The Martian Chronicles)的制作参差不齐和反响不一,以及布拉德伯里与美国广播公司(ABC)合作的《无限地平线:阿波罗之外的太空》(Infinite Horizons: Space Beyond Apollo)获得艾美奖。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Abandon in Place
After returning home from Europe in 1978, Bradbury was unable to come to agreement with the Smithsonian over “The Ghosts of Forever,” an animated film fantasy tour of the various Smithsonian museums. Chapter 12 goes on to document how the Voyager 1 and Voyager 2 journeys to the outer solar system prompted NASA’s Jet Propulsion Laboratory at Caltech to bring Bradbury back together with his “Mars and the Mind of Man” colleagues Arthur C. Clarke, Carl Sagan, and JPL director Bruce Murray to form the symposium “Jupiter and the Mind of Man.” The chapter also describes the uneven production and mixed reception of the NBC miniseries of The Martian Chronicles, and Bradbury’s Emmy-winning ABC collaboration with Malcolm Clarke on “Infinite Horizons: Space Beyond Apollo.”
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