桌子在当代艺术中的神秘意义。重新诠释给予和接受的语言

Eva Pariláková
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引用次数: 0

摘要

作者通过对当代艺术中桌子符号的分析,阐释了神秘体验的两种具象形式——人与精神世界、上帝的接触和对存在的惊奇体验。作者首先确定了与神秘经验相反的零碎经验的具象性。随后,她研究了Andrei Rublev的三位一体图标中的神秘桌子,作为神圣好客和圣餐牺牲的象征。她还研究了偶像的哲学作为人类和超越世界的会议(弗洛伦斯基,特鲁贝克伊,叶夫多基莫夫等)。最后,她解释了三幅当代绘画中桌子神秘语义的具象性的标志(jakab, Podhorský)。这些包括,例如,基督教典故,视觉极简主义,白色,沉思的静止,神秘的矛盾想象,或红色和蓝色的象征性使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The mystical meaning of the table in contemporary art. Reinterpretation of the language of giving and receiving
The author interprets two forms of figurativeness of the mystical experience – the touch of man with the spiritual world, God, and the experience of amazement at being – by analysing the symbol of the table in contemporary art. The author first identifies the figurativeness of the fragmentary experience contrary to the mystical experience. Subsequently, she examines the mystical table in the icon of the Trinity by Andrei Rublev as a symbol of sacred hospitality and the eucharistic sacrifice. She also examines the icon’s philosophy as a meeting of the human and the transcendent world (Florensky, Trubeckoi, Evdokimov etc.). Finally, she explains the signs of the figurativeness of the mystical semantics of the table in three contemporary paintings (Jakabčic, Podhorský). These include, for example, Christian allusions, visual minimalism, white colour, contemplative immobility, mysterious to paradoxical imaginations, or the expressive-symbolic use of red and blue.
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