{"title":"中世纪精神迷失方向","authors":"Louise D’Arcens","doi":"10.1093/oso/9780198825944.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter examines the valency of the Middle Ages in the recent French political imaginary, tracing how the nationalist medievalisms of recent decades can be read as a response to the perceived threats and uncertainties of globalization. The chapter explores the heated debates sparked by neoreactionary commentator Éric Zemmour’s use of the Middle Ages to account for France’s apparent loss of identity in the era of multiculturalism and the globalized economy. It also analyses how these debates play out in three recent novels that offer medievalist explorations of contemporary French identity: Jérôme Ferrari’s Sermon on the Fall of Rome (2012), Michel Houellebecq’s notorious 2015 novel Submission, and Mathias Enard’s 2015 novel Compass. By examining these texts together, the chapter offers an account of how France in the age of globalization has used the Middle Ages to understand its own long, contradictory love affair with ideas of nation, empire, and world.","PeriodicalId":347165,"journal":{"name":"World Medievalism","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Medievalism Disoriented\",\"authors\":\"Louise D’Arcens\",\"doi\":\"10.1093/oso/9780198825944.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines the valency of the Middle Ages in the recent French political imaginary, tracing how the nationalist medievalisms of recent decades can be read as a response to the perceived threats and uncertainties of globalization. The chapter explores the heated debates sparked by neoreactionary commentator Éric Zemmour’s use of the Middle Ages to account for France’s apparent loss of identity in the era of multiculturalism and the globalized economy. It also analyses how these debates play out in three recent novels that offer medievalist explorations of contemporary French identity: Jérôme Ferrari’s Sermon on the Fall of Rome (2012), Michel Houellebecq’s notorious 2015 novel Submission, and Mathias Enard’s 2015 novel Compass. By examining these texts together, the chapter offers an account of how France in the age of globalization has used the Middle Ages to understand its own long, contradictory love affair with ideas of nation, empire, and world.\",\"PeriodicalId\":347165,\"journal\":{\"name\":\"World Medievalism\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"World Medievalism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780198825944.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"World Medievalism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198825944.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter examines the valency of the Middle Ages in the recent French political imaginary, tracing how the nationalist medievalisms of recent decades can be read as a response to the perceived threats and uncertainties of globalization. The chapter explores the heated debates sparked by neoreactionary commentator Éric Zemmour’s use of the Middle Ages to account for France’s apparent loss of identity in the era of multiculturalism and the globalized economy. It also analyses how these debates play out in three recent novels that offer medievalist explorations of contemporary French identity: Jérôme Ferrari’s Sermon on the Fall of Rome (2012), Michel Houellebecq’s notorious 2015 novel Submission, and Mathias Enard’s 2015 novel Compass. By examining these texts together, the chapter offers an account of how France in the age of globalization has used the Middle Ages to understand its own long, contradictory love affair with ideas of nation, empire, and world.