悔恨与罗马的死亡艺术

Mary Beagon
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引用次数: 1

摘要

突然死亡在古代文献中很少出现:Elder Pliny和Suetonius提供了最详细的证词。大多数关于死亡的讨论都带有哲学色彩,并提倡一种“准备好”死亡的形象,这在很大程度上影响了后来的基督教传统。罗马死亡艺术的五个方面浮出水面,其中的元素与更实用的第六个方面——遗嘱——相平行。然而,普林尼和苏托尼乌斯的突然死亡可能表明了一种流行的传统,在这种传统中,没有痛苦或恐惧压倒了准备。对其中两种的进一步研究表明,这两种传统的特征可能结合在一起,产生“理想”的死亡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mors Repentina and the Roman Art of Dying
Sudden death features rarely in the ancient sources: the Elder Pliny and Suetonius supply the most detailed testimonials. Most discussions of dying are philosophical in tone and promote an image of “prepared” death which considerably influenced the later Christian tradition. Five aspects of a Roman art of dying emerge, elements of which are paralleled in a more pragmatic sixth, the will. The sudden deaths in Pliny and Suetonius, however, may indicate a popular tradition in which absence of pain or fear overrode preparation. Closer examination of two of these suggests that features of both traditions might be combined to produce the “ideal” death.
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