“把它堵住!”:史蒂芬·金的《魔女嘉莉》中的创伤性女性成长故事

Laura Mulcahy
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摘要

本文对斯蒂芬·金的《魔女嘉莉》(1974)和《It》(1986)中女性青春期作为一种创伤经历的观点进行了质疑。作为对比,这里有一个简短的考察,金是如何在《肉体》(不同季节,1982)中为他的年轻男主角描绘成长故事的——即使涉及到死亡或超自然现象,成长也被描绘成一场令人兴奋的冒险。书中考察了金如何将女性的成长描绘成创伤性的,因为女孩的身体变成了怪物的场所。参考芭芭拉·克里德(Barbara Creed)和雪莉·b·奥特纳(Sherry B. Ortner)的作品,这部电影关注的是嘉莉·怀特(Carrie White)无法隐藏初潮,导致她成为可怕的女性。本文以金的《杰拉尔德的游戏》(1992)为参考,探讨了初月经与乱伦性侵犯之间的关系,以及年轻女孩如何将小说中父亲的掠夺性行为归咎于她们发育中的身体。影片关注的是男性角色如何压抑他们的创伤记忆,但其中一位女性主角却无法做到这一点,因为她的创伤及其与身体的内在联系是阴险的。本文主张更全面地理解金对成年叙事的性别化方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Plug It Up!’: The Traumatic Female Coming-of-Age Story in Stephen King’s Carrie and It
ABSTRACT This article interrogates the idea of female puberty being presented as a traumatic experience in Stephen King’s Carrie (1974) and It (1986). As a point of contrast, there is a brief examination of how King portrays the coming-of-age tale in ‘The Body’ (Different Seasons, 1982) for his young male protagonists – even when death or the supernatural is concerned, coming of age is depicted as an exciting adventure. There is an examination of how King portrays female coming-of-age as traumatic, as girls’ bodies transformed into sites of monstrosity. Referring to the works of Barbara Creed and Sherry B. Ortner, there is a focus on how Carrie White’s inability to hide her menarche leads to her status as the monstrous feminine. This article examines the correlation between menarche and incestuous sexual abuse in relation to It, with reference to King’s Gerald’s Game (1992), and how young girls will blame their developing bodies for their fathers’ predatory behaviour within the novels. There is a focus on how the male characters of It can repress their traumatic memories, but the one female main character is unable to do so due to the insidious nature of her trauma and its inherent connection to her body. This article argues for a more comprehensive understanding of King’s gendered approach to coming-of-age narratives.
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