说还是不说:从女性赋权的角度对两种女权主义声音的批判性研究

Abdullah K. Shehabat
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引用次数: 1

摘要

本文对苏阿德·萨巴赫的《他们说》(2001)和安妮·布拉德斯特里特的《序言》(1650)这两首诗进行了比较研究。这项研究旨在调查这两首诗中女权主义赋权的某些方面,尽管它们之间存在时间差距,以及随着时间的推移,女性对自我赋权的追求有了多大的改善。这些诗人表达了他们在思考自己的诗歌身份时的不安,这种想法经常破坏他们作为作家的努力。这些诗歌将被仔细阅读,解读和分析妇女赋权的角度。研究发现,女性一直在努力维持一种平等的意识,即被倾听、被承认和被允许与男性携手合作。Al-Sabah能够打破沉默,与父权制世界所造成的社会和宗教限制作斗争,以滥用和维持他们对妇女的权力。同样,布拉德斯特里特通过为自己建立一个知识分子的家,成功地表达了自己的观点。总的来说,这两部作品赋予了女权主义作者进入学术和知识分子文学领域的权威,使她们能够从男性的统治中解放自己的笔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
To Speak Up or Not: A Critical Study of Two Feminist Voices in Light of Women's Empowerment
The present paper is a comparative study between two poems: Suad Al-Sabah's They Say (2001) and Anne Bradstreet's The Prologue (1650). The study aims to investigate certain aspects of feminist empowerment in these two poems, despite the time gap between them, and how well women's search of self-empowerment has improved over time. These poets expressed their discomfort in contemplating their poetic identities, a notion that often destabilized their efforts as writers. The poems will be closely read, interpreted and analyzed in light of women's empowerment. It is found that women have been struggling to maintain a sense of equality in terms of being heard, acknowledged and allowed to function hand in hand with man. Al-Sabah was capable to break her silence by combating the societal and religious constraints which the patriarchal world has created to abuse and maintain their power over women. Likewise, Bradstreet managed to speak up by establishing an intellectual home for herself. By and large, the two works have granted their feminist authors an authority to enter into the academic and intellectual literary spheres that enabled them to free their pens from man's domination.
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