文论的拓扑2:《批评与理论》杂志(1996-2020)引文与语义网络分析

Yongsoon Kim
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引用次数: 0

摘要

本文对1996年至2020年发表在《批评与理论杂志》上的所有论文标题中的名词进行了语义网络分析,并在之前研究(2022)的相同分析(1996-2015)的基础上,尝试对2016年至2020年的论文进行额外的引文网络分析。名词网络是由有意义的词之间的关系组成的,与只有学者名字的引文网络相比,名词网络有助于理解主题的整体分布及其相互联系。这两种方法在全球格局和理论拓扑变化方面总体上显示出相似的结果,但突出的方面不同。1996 - 2015年的名词网络呈现出与引文网络相似的结果,但揭示了以“文学”为中心的美学理论的存在、德里达的外围地位、大学话语的出现等新的方面。对2016 - 2020年论文的分析表明,主导前20年的理论范式正在崩溃,新的理论和主题正在寻求。引用网络揭示了德勒兹学派的强势巩固和巴特勒的崛起以及现有理论的迅速收缩,名词网络则捕捉到了数字人文、神经科学等科技话语在探索新可能性的背景下的出现。绘制《批评与理论》的理论地形是掌握韩国英语文学研究的知识领域和历史的重要任务之一。希望这一研究能够扩展到其他学术期刊,从而对韩国的英国文学研究有一个宏观的认识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Topology of Literary Theory 2: A Citation and Semantic Network Analysis of The Journal of Criticism and Theory (1996-2020)
This paper performs a semantic network analysis of the nouns from the titles of all papers published in The Journal of Criticism and Theory from 1996 to 2020, and attempts an additional citation network analysis for papers from 2016 to 2020, building on the same kind of analysis (1996-2015) in the previous study (2022). Noun networks are composed of the relationships between words with meaning, and thus are helpful in understanding the overall distribution of topics and their interconnections, compared to citation networks only with the names of scholars. These two methods generally show similar results in terms of the global landscape and change of theoretical topology while highlighting different aspects. The noun network from 1996 to 2015 shows outcomes similar to the citation network, but reveals new aspects such as the existence of aesthetic theory centered on “literature,” Derrida’s peripheral status, and the emergence of university discourse. Analysis of papers from 2016 to 2020 suggests that the theoretical paradigm which dominated the previous 20 years is collapsing and that new theories and themes are being sought. The citation network reveals the strong consolidation of the Deleuzian group and the rise of Butler along with the rapid contraction of existing theories while the noun network captures the emergence of scientific and technological discourses such as digital humanities and neuroscience in the context of exploring new possibilities. Drawing the theoretical topography of The Journal of Criticism and Theory is part of the grand task of grasping the knowledge field and history of Korean English literary studies. Hopefully, this research will be extended to other academic journals, leading to a macroscopic view of English literary studies in Korea.
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