Synonymic monopredicative utterances with the interjectional head lexeme (based on French fiction of the 20th – the 21st centuries)

In this article interjectional monopredicative utterances (MPU) of modern French fiction are defined as compressed one-basis (with one transformational terminal chain) synonymic transforms of virtual (linguistic) primary proposition actualized in the form of mono- and polysynonymic (with the intra-, interphrastic and intra-interphrastic bi- and polysynonymy) elliptic complex lingua-discursive signs‑preferential options with the interjectional head lexeme. The goal of this research is to identify the structural and semantic types and to reveal the co(n)textual (linguistic and / or situational) functions of the interjectional MPU of French fiction of the 20th – the 21st centuries and to determine the degree of their co(n)textual pertinence. In this article they use the procedure of the inverse reconstruction (discourse → language) of virtual transformational processes with the aim to identify the primary proposition of each synonymic transform; and the «alternative» linguistic experiment consisting in the artificial substitution by the addresser of some utterance of the analyzed discursive fragment with the synonymic utterance that allows to determine the degree of co(n)textual pertinence of all the members of virtual synonymic chains. It is revealed that in the synonymic interjectional MPU with non-derivative (primary) interjections of modern French fiction the author doesn’t exteriorize the structure subject + personal performative predicate with the referentially determined or non-determined actant, explicated in the contact, interphrastic or distant co(n)text (+ circumstance) and the existential structure c’est with the demiactive (active and passive simultaneously) actant referentially non-determined or determined in the intra- or interphrastic co(n)text. The structural and semantic (qualificative, processual, emotional-specificative, volitional-specificative) types of interjectional elliptic structures are distinguished, their co(n)textual functions are revealed and the degree of their co(n)textual pertinence, according to the pragmatic planification of the narration or to the author’s idiostylistic peculiarities, is justified.