谢纳基斯和格里西的音乐时间

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2022-12-21 DOI:10.31926/but.pa.2022.15.64.1.8

Lukas Haselbock

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引用次数: 0

摘要

20世纪的许多作曲家都对“音乐时间”这个话题进行了反思。其中两人是伊安尼斯·谢纳基斯和格姆拉德·格里西。在这方面，我们可以讨论一些共同点，但也有一些不同之处。首先，我们讨论了Xenakis和Grisey对音乐时间的态度的吸引点。其次，我们指出了谢纳基斯对整体序列主义批评的差异，以及序列结构与音乐结果之间存在的矛盾。

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Xenakis and Grisey on Musical Time

Many composers of the twentieth century have reflected on the topic of “musical time”. Two of them were Iannis Xenakis and Gérard Grisey. In this context, we can discuss some common ground, but also several differences. First, we discuss points of attraction as far as Xenakis’ and Grisey’s attitude towards musical time is concerned. Secondly, we point out the differences that imply Xenakis criticisms of integral serialism and the existing contradiction between serial structure and the musical result.

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Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts

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