{"title":"俄国现代主义宣言:体裁特征","authors":"M. Saveleva, Nadezhda Aleksandrovna Kritskaya","doi":"10.7256/2454-0625.2023.3.39936","DOIUrl":null,"url":null,"abstract":"\n The paper deals with the features and functions of Russian Modernist manifestos. It is shown that proletarian writers adopted, refined and used in a specific manner for their own purposes some of the techniques implemented in the Silver Age theoretical declarations. This may account in part for the active use of the originally political term “manifesto” in the Soviet literary studies. In critical works from recent years one can observe a departure from this tradition.\n","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Russian modernist manifestos: the genre characteristics\",\"authors\":\"M. Saveleva, Nadezhda Aleksandrovna Kritskaya\",\"doi\":\"10.7256/2454-0625.2023.3.39936\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The paper deals with the features and functions of Russian Modernist manifestos. It is shown that proletarian writers adopted, refined and used in a specific manner for their own purposes some of the techniques implemented in the Silver Age theoretical declarations. This may account in part for the active use of the originally political term “manifesto” in the Soviet literary studies. In critical works from recent years one can observe a departure from this tradition.\\n\",\"PeriodicalId\":184304,\"journal\":{\"name\":\"Культура и искусство\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Культура и искусство\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7256/2454-0625.2023.3.39936\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Культура и искусство","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7256/2454-0625.2023.3.39936","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Russian modernist manifestos: the genre characteristics
The paper deals with the features and functions of Russian Modernist manifestos. It is shown that proletarian writers adopted, refined and used in a specific manner for their own purposes some of the techniques implemented in the Silver Age theoretical declarations. This may account in part for the active use of the originally political term “manifesto” in the Soviet literary studies. In critical works from recent years one can observe a departure from this tradition.