移民时期珠宝上的小面具。

Bálint László Tóth
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引用次数: 0

摘要

这三个瑞典金领是移民时代独一无二的金匠杰作,因为其中居住着大量的小生物:动物、人类和混血儿。虽然这些小雕像大多是单独雕刻在黄金上,并用细丝或颗粒装饰,但Ålleberg衣领的小面具似乎是复制的。用什么方法复制了项圈上最初的43个面具?对这些面具以及用复制的或独特的面具装饰的苞片进行了彻底的研究。人们提出了两种不同的技术来制造这些小面具,都可以追溯到罗马金匠的技术。其中一种技术在古代和日耳曼世界广泛使用,它起源于古代时期的希腊方法。用于制作Ålleberg项圈和一些苞片上的面具的技术是一种非常罕见的类型,只有公元2 - 4年的罗马金匠技术可以与之相提并论
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Small Masks on Migration Period jewellery.
The three Swedish gold collars are unique goldsmith masterpieces of the Migration Age, owing to the great number of small beings that inhabit them: animals, humans and hybrids. While most of these figurines were individually carved into the gold and ornated with filigree or granulation, the small masks of the Ålleberg collar stand out as seemingly being replicates. Which method was used to replicate these originally 43 masks on the collar? A thorough study of these masks is presented as well as of the bracteates decorated with replicated or unique masks. Two different techniques are proposed for the manufacture of these small masks, both going back to Roman goldsmith techniques. One of these techniques was widely used in the antique and Germanic worlds and it has its roots in Greek methods of the Archaic period. The technique used to make the masks on the Ålleberg collar and on a few of the bracteates is of a much rarer type, which only has parallels in Roman goldsmith techniques of the 2nd – 4th A.D.
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