阿萨姆邦电影中的父权制

Trisha Dowerah Baruah
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引用次数: 0

摘要

据说电影是我们这个时代最重要和最有影响力的社会机构之一。例如,印度的电影工业是世界上最大的,每年都会生产出几十部属于不同类型的电影。一部好电影的特点总是有好的剧本,正确的方向,出色的表演,以及在必要时使用令人兴奋的视觉效果。通常,电影的主角会由一位男性艺术家来扮演,而女性则是配角。然而,时代在变化,就这些问题的描述而言,女性已经占据了一个重要的位置。在本章中,研究集中在阿萨姆邦两位多产的电影制作人的一些著名电影中对女性的描绘:巴本德拉纳特·赛基亚博士和贾努·巴鲁阿先生。这两位电影人的电影作品都描绘了女性在不同历史时期不同形式的父权制中所处的困境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Patriarchy in Assamese Cinema
Cinema is said to be one of the most important and influential social institutions of our time. The Indian film industry, for instance, is the biggest in the world, churning out dozens of films belonging to different genres every year. A good movie is always characterised by a well-written script, right direction, brilliant acting, and use of mind-blowing visual effects whenever necessary. Very often, the protagonist of the films would be essayed by a male artist while the woman would play second fiddle. However, times are changing and women have come to occupy an important place as far as the depictions of such issues are concerned. In this chapter, the study concentrates on the portrayal of women in some of the prominent films of two prolific filmmakers of Assam: Dr Bhabendranath Saikia and Mr Jahnu Barua. Both these filmmakers' cinematic oeuvres portray the plight of women functioning within various incarnations of patriarchy in different historical temporalities.
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