{"title":"结论","authors":"N. Canclini","doi":"10.1515/9780804766531-015","DOIUrl":null,"url":null,"abstract":"By way of conclusion to the preceding arguments, this chapter, drawing on ideas from the new formalism and media studies history, pursues the implications of the magazines’ rhythm and serialization with respect to theories of nation-building in the context of post-revolutionary Mexico. In its summation of the ramifications of the book’s findings, it also returns to the suggestive idea of archive, first rehearsed in Chapter 1, to consider the concept’s material and epistemo-logical value for this particular object of study. here:","PeriodicalId":253034,"journal":{"name":"Shanghai on Strike","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1995-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Conclusion\",\"authors\":\"N. Canclini\",\"doi\":\"10.1515/9780804766531-015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"By way of conclusion to the preceding arguments, this chapter, drawing on ideas from the new formalism and media studies history, pursues the implications of the magazines’ rhythm and serialization with respect to theories of nation-building in the context of post-revolutionary Mexico. In its summation of the ramifications of the book’s findings, it also returns to the suggestive idea of archive, first rehearsed in Chapter 1, to consider the concept’s material and epistemo-logical value for this particular object of study. here:\",\"PeriodicalId\":253034,\"journal\":{\"name\":\"Shanghai on Strike\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1995-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shanghai on Strike\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9780804766531-015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shanghai on Strike","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9780804766531-015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
By way of conclusion to the preceding arguments, this chapter, drawing on ideas from the new formalism and media studies history, pursues the implications of the magazines’ rhythm and serialization with respect to theories of nation-building in the context of post-revolutionary Mexico. In its summation of the ramifications of the book’s findings, it also returns to the suggestive idea of archive, first rehearsed in Chapter 1, to consider the concept’s material and epistemo-logical value for this particular object of study. here:
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