{"title":"恶魔还是娃娃。当代写作与文化中的儿童形象(回顾)","authors":"Sarah Herbold","doi":"10.1353/NAB.2010.0008","DOIUrl":null,"url":null,"abstract":"sian and French painters (especially H. Rousseau and B. Kustodiev), evoked in the novel. She also explicates the function that these mixed-media quotations assume within Nabokov's concept of the novel. She also expands the range of the mixed-media cross-fertilizations with sculpture and other arts. Her most crucial contribution in this chapter, however, is to the very important theme of painting as the moving force behind Nabokov's imagination.","PeriodicalId":110136,"journal":{"name":"Nabokov Studies","volume":"06 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2010-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Demon or Doll. Images of the Child in Contemporary Writing and Culture (review)\",\"authors\":\"Sarah Herbold\",\"doi\":\"10.1353/NAB.2010.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"sian and French painters (especially H. Rousseau and B. Kustodiev), evoked in the novel. She also explicates the function that these mixed-media quotations assume within Nabokov's concept of the novel. She also expands the range of the mixed-media cross-fertilizations with sculpture and other arts. Her most crucial contribution in this chapter, however, is to the very important theme of painting as the moving force behind Nabokov's imagination.\",\"PeriodicalId\":110136,\"journal\":{\"name\":\"Nabokov Studies\",\"volume\":\"06 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-10-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nabokov Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/NAB.2010.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nabokov Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/NAB.2010.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Demon or Doll. Images of the Child in Contemporary Writing and Culture (review)
sian and French painters (especially H. Rousseau and B. Kustodiev), evoked in the novel. She also explicates the function that these mixed-media quotations assume within Nabokov's concept of the novel. She also expands the range of the mixed-media cross-fertilizations with sculpture and other arts. Her most crucial contribution in this chapter, however, is to the very important theme of painting as the moving force behind Nabokov's imagination.