驯服和重塑野牛比尔

B. Lupack
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引用次数: 0

摘要

本章研究Ted Wharton为Essanay制作的最后一部电影:一部历史史诗,最初名为《印第安战争》(The Indian Wars, 1914),后来以各种不同的名字发行。这部电影是第一部考虑到历史保护的电影,它将重现印第安人的一些主要战役。很少有其他制作人能够管理如此庞大且具有挑战性的项目。然而,泰德已经证明了他有能力重现类似的大型“辉煌的历史盛会”。印第安人战争注定更加壮观。这部电影很大程度上是传奇人物威廉·科迪(William Cody)的创作,他是一个丰富多彩的标志性人物,以“野牛比尔”的公众形象闻名于世。认识到电影的广泛影响,科迪决定用这种新媒介作为写作的工具,或者,在某些情况下,重写他自己的历史,塑造他的遗产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Taming and Reframing Buffalo Bill
This chapter studies Ted Wharton's final film for Essanay: a historical epic, originally titled The Indian Wars (1914) and later released under various other titles. That film, one of the first to be made with historical preservation in mind, would reenact some of the major Indian battles. Few other producers were capable of managing such a massive and challenging project. Ted, however, had already demonstrated his ability to recreate a similar large-scale “splendid Historical Pageant.” The Indian Wars promised to be even more spectacular. The film was largely the creation of the legendary William Cody, a colorful and iconic figure known worldwide by his public persona of “Buffalo Bill.” Recognizing the broad impact of film, Cody determined to use the new medium as a vehicle for writing—or, in some cases, rewriting—his own history and shaping his legacy.
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