全球化时代对社会与文化的再思考——马哈韦塔·德维、阿兰达蒂·罗伊著作选集研究

K Jayaramudu
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引用次数: 0

摘要

本文介绍了全球化时代作家的社会意识,特别是作家如何在他们的作品中展示印度,如1084年的母亲,巴恩,阿吉尔,雕像是由马哈韦塔·德维写的,小事物的上帝是由阿朗达蒂·罗伊写的,这两位作家通常触发社会的人类状况的可悲情况,如纳萨尔主义,妇女的征服,压迫,排斥和父权社会,种姓,阶级和性别,尤其是女性角色在小说中的表现,不仅是女性,而且是其他灵魂,通过它们,我们可以很容易地理解作家对印度文化的无意识。在这里,我们可以看到女性角色在她们的作品中是如何被杀死或削弱的,尤其是那些不关心政治的孩子的母亲在小说的结尾被噤声(1084的母亲,巴恩,雕像和小事物的上帝),尽管她们是女性作家,思想也很激进,但她们在心理上无法逃离文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-Thinking Society and Culture in the Era of Globalization - A Study of Selected Writings of Mahasweta Devi and Arundhati Roy
This paper presents the writers consciousness of the society in the Era of Globalization specially how the writers try to show India in their works such as Mother of 1084, Bayen, Aajir, Statue were written by Mahasweta Devi and The God of Small Thingswas written by Arundhati Roy these two writers generally trigger the society’s pathethatic situation of the human condition such as in the form of Naxalism, women subjugation, oppression, outcast and patriarchal society, caste, class and gender in which especially how the women characters are shown not only women but also other souls in the novels through them we can easily understand the writers unconsciousness towards the culture of India. Here we can see how the women characters are killed or weaken in their works particularly apolitical mothers of children are made voiceless at the end of the novels (mother of 1084,Bayen,Statue and The God of small things) though they are Women writers and also radical in thinking they cannot escape from the Culture psychologically.
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