全球流媒体服务时代的东亚连续剧:特刊编辑简介

Tze-lan Sang, Li Qu, Ying Zhu
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引用次数: 0

摘要

这个故事开始于2022年初,当时子兰和莉娜联系了《全球讲故事》的主编瑛,提议出一期特刊。经过头脑风暴,我们决定以全球流媒体服务时代的东亚连续剧为主题,开展三方合作,解决东亚文化产品日益增长的知名度和国际流通问题。全球流媒体平台已成为东亚连续剧等跨国节目在全球传播的主要渠道。尽管取得了巨大的成功,但东亚戏剧的全球消费及其对叙事、表现和国家形象的影响仍未得到充分研究。许多问题依然存在。例如,全球流媒体巨头如何影响当地的连续剧制作、观众体验和数字劳动?在全球流媒体时代,国家的角色是什么?制定国家政策——是否与执行有关
本文章由计算机程序翻译,如有差异,请以英文原文为准。
East Asian Serial Dramas in the Era of Global Streaming Services: Special Issue Editors’ Introduction
The story began in early 2022 when Tze-lan and Lina contacted Ying, the editor in chief of Global Storytelling, to propose a special issue. After brainstorming, we decided to have a three-way collaboration on the theme of East Asian serial dramas in the era of global streaming services and address the growing visibility and international circulation of East Asian cultural products. Global streaming platforms have emerged as major outlets for the worldwide circulation of transnational programs, including East Asian serial dramas. Despite their tremendous success, the global consumption of East Asian dramas and their impact on storytelling, representation, and national image remain understudied. Many questions remain. For instance, how have global streaming giants influenced local serial drama production, viewer experience, and digital labor? In the era of global streaming, what is the role of the nation?1 Do state policies—whether pertaining to the enforcement of
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