阿巴拉契亚迁移

P. J. Obermiller
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引用次数: 0

摘要

移民是20世纪的一个标志,那些寻求更好生活条件的人也带着他们的音乐。20世纪20年代从阿巴拉契亚到中西部的穿梭移民在1940-1970年的大迁徙中被一个茎枝系统和扩展的家庭安全网所取代。根据移民流动地图,战时工业和战后阿巴拉契亚煤田萧条吸引了数十万人前往辛辛那提、汉密尔顿、代顿、底特律、芝加哥和其他地方。工业工资允许移民购买乐器、收音机和唱片;频繁的夜总会;加入公民和社会团体;享受阿巴拉契亚的节日。Ron Eller, Mike Maloney, Noah Crase, Harriet Marsh Page, Jennifer Brierly, Taylor Farley, Sherrill Jennings, Judy Jennings和Paris Decker是对音乐很重要的移民家庭的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Appalachian Migration
Migration was a hallmark of the twentieth century, and those seeking better conditions took their music with them. Shuttle migration from Appalachia to the Midwest during the 1920s was replaced during the 1940-1970 Great Migration by a stem-and-branch system and extended family safety net. Wartime industry and post-war Appalachian coalfield depression drew hundreds of thousands to Cincinnati, Hamilton, Dayton, Detroit, Chicago and elsewhere, as documented by migration flow maps. Industrial wages allowed migrants to acquire instruments, radios, and recordings; frequent nightclubs; join civic and social groups; and enjoy Appalachian festivals. Ron Eller, Mike Maloney, Noah Crase, Harriet Marsh Page, Jennifer Brierly, Taylor Farley, Sherrill Jennings, Judy Jennings, and Paris Decker exemplify migrant families for whom music was important.
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