{"title":"极端硬核朋克的反乌托邦崇高","authors":"David G. Pearson","doi":"10.1093/oso/9780197534885.003.0004","DOIUrl":null,"url":null,"abstract":"With roots in the 1980s and becoming a coherent trend in the 1990s, extreme hardcore punk pushed the intensity of punk music beyond previous levels with beats over 800 BPM, screamed or growled vocals, and guitar riffs built from dissonant and nondiatonic pitch material. Its lyrics often provided dystopian warnings of environmental catastrophe and humanity’s downfall due to globalized capitalism. Analysis and reception history of the music of bands such as Dropdead, His Hero Is Gone, Hellnation, and Capitalist Casualties identify the musical techniques and sublime effects of the extreme hardcore punk subgenre, also referred to as grindcore and power violence.","PeriodicalId":440570,"journal":{"name":"Rebel Music in the Triumphant Empire","volume":"9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Dystopian Sublime of Extreme Hardcore Punk\",\"authors\":\"David G. Pearson\",\"doi\":\"10.1093/oso/9780197534885.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With roots in the 1980s and becoming a coherent trend in the 1990s, extreme hardcore punk pushed the intensity of punk music beyond previous levels with beats over 800 BPM, screamed or growled vocals, and guitar riffs built from dissonant and nondiatonic pitch material. Its lyrics often provided dystopian warnings of environmental catastrophe and humanity’s downfall due to globalized capitalism. Analysis and reception history of the music of bands such as Dropdead, His Hero Is Gone, Hellnation, and Capitalist Casualties identify the musical techniques and sublime effects of the extreme hardcore punk subgenre, also referred to as grindcore and power violence.\",\"PeriodicalId\":440570,\"journal\":{\"name\":\"Rebel Music in the Triumphant Empire\",\"volume\":\"9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rebel Music in the Triumphant Empire\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197534885.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rebel Music in the Triumphant Empire","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197534885.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
极端硬核朋克起源于20世纪80年代,并在90年代成为一种连贯的趋势,以超过800 BPM的节奏,尖叫或咆哮的人声,以及由不和谐和非全音音高材料组成的吉他即兴片段,将朋克音乐的强度推到了以前的水平。它的歌词经常对全球化资本主义造成的环境灾难和人类衰落提出反乌托邦式的警告。对Dropdead、His Hero Is Gone、Hellnation和Capitalist Casualties等乐队音乐的分析和接受历史表明,极端硬核朋克亚流派(也被称为磨核和权力暴力)的音乐技巧和崇高效果。
With roots in the 1980s and becoming a coherent trend in the 1990s, extreme hardcore punk pushed the intensity of punk music beyond previous levels with beats over 800 BPM, screamed or growled vocals, and guitar riffs built from dissonant and nondiatonic pitch material. Its lyrics often provided dystopian warnings of environmental catastrophe and humanity’s downfall due to globalized capitalism. Analysis and reception history of the music of bands such as Dropdead, His Hero Is Gone, Hellnation, and Capitalist Casualties identify the musical techniques and sublime effects of the extreme hardcore punk subgenre, also referred to as grindcore and power violence.